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Este conteúdo fez parte do "Blogue Comunidades", que se encontra descontinuado. A publicação é da responsabilidade dos seus autores.
Imagem de REMEMBERING SOPHIA AS SHE ENTERS THE PANTHEON – George Monteiro
Comunidades 04 jul, 2014, 17:45

REMEMBERING SOPHIA AS SHE ENTERS THE PANTHEON – George Monteiro





(Nov. 6, 1919 – July 2, 2004) 

REMEMBERING SOPHIA AS SHE ENTERS THE PANTHEON
(four translations by George Monteiro)

1. 

“The Day”
Spend the day within yourself.
Do not let anyone distract you.
There will come a poem -a new
one, so old-you won’t know
how long it’s lived within you.

2. 
“Discovery”
An ocean green in muscle
An idol with the tentacles of an octopus
Incorruptible chaos that erupts
An ordained tumult
A contorted dancer
Surrounding the stretched-out ships

We crossed row upon row of steeds
That shook their manes in the trades

The sea turned suddenly very new and very old
To show us beaches
And a nation
Of men of recent vintage the color still of clay
Still naked still astonished

3. 
“Brasilia”
Planned by Lúcio Costa Niemeyer and Pythagoras
Logic and lyric
Greece and Brazil
Ecumenical
Proposing to all men of every race
The universal essence of the fitting figures

Brasilia plundered and lunar-like, the soul of a very young poet
Distinct as Babylonia
A willowy show of palm
Across the smooth page of the plateau
Has the architecture written its own landscape 

Brazil has emerged from the baroque and found its number
At the center of the realm of Artemis
–Goddess of inviolate nature–
In the distant movements of the Candangos
In the distant nostalgia for the Candangos
Athena has raised her city of cement and glass
Athena has raised her ordered city, explicit as a thought

And there, in the sky-scraper, the delicate finery of the
Palm

4.
“Helena Lanari’s Poetry”
I like to listen to the Portuguese of Brazil
Where words recapture their entire substance
Fruit solid distinct as a bird
I like to listen to each syllable of every word
Not missing even the lightest touch of a vowel.

Helena Lanari says “coqueiro”
And the very tree quickens.

——
George Monteiro is Professor Emeritus of English and Portuguese and Brazilian Studies, Brown University, and he continues as Adjunct Professor of Portuguese Studies at the same university. He served as Fulbright lecturer in American Literature in Brazil–Sao Paulo and Bahia–Ecuador and Argentina; and as Visiting Professor in UFMG in Belo Horizonte. In 2007 he served as Helio and Amelia Pedroso / Luso-American Foundation Professor of Portuguese, University of Massachusetts Dartmouth. Among his recent books are Stephen Crane’s Blue Badge of Courage, Fernando Pessoa and Nineteenth-Century Anglo-American Literature, The Presence of Pessoa, The Presence of Camões, and Conversations with Elizabeth Bishop and Critical Essays on Ernest Hemingway’s A Farewell to Arms. Among his translations are Iberian Poems by Miguel Torga, A Man Smiles at Death with Half a Face by José Rodrigues Miguéis, Self-Analysis and Thirty Other Poems by Fernando Pessoa, and In Crete, with the Minotaur, and Other Poems by Jorge de Sena. He has also published two collections of poems, The Coffee Exchange and Double Weaver’s Knot. 
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